| Category | Sculpture |
|---|---|
| artist | Eichler, Katharina |
| year | 2024 |
| Title | Gefäßskulptur XI/24 1 |
| size 1 | 34,0 x 18,0 cm |
| material | Clay, 3 colours, fired |
| edition | Unique |
| signature | Monogrammed and inscribed in the firing under the base: XI/24 1 |
| Provenance | Studio of the artist |
Katharina Eichler Gefäßskulptur XI/24 1 (2024)
- Large unique piece
- Nerikomi special structure technique
- Artist from Dresden
- Usable as a vase
€420.00*
- The artwork is available immediately and can be viewed at any time in our gallery.
- Ready for shipment within 2 days.
- Free shipping within Germany.
Product number:
36827
Informations
condition
|
The Sculpture is in a very good condition |
artist
|
Katharina Eichler was born in Dresden in 1971. From 2004 to 2010, she studied ceramic design at the Ecôle des arts d'Ixelles in Brussels under Thérèse Lebrun. Since 2011, she has exhibited regularly in Europe and continues to develop her own formal language. Katharina Eichler lives and works in Dresden. |
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Features and remarks
You are purchasing a large sculpture by Katharina Eichler, which was produced using the very special Nerikomi construction technique / bead technique and fired in an electric kiln at 1160 ́ degrees.
Nerikomi (練り込み, literally "kneading") is an artistic technique for making Japanese pottery from multicolored clay.
The artist says about her work herself:
"Inspired by the color and form of early ceramics and their symbolism, I build my pieces from different clays that create a dialogue of linear structures. Diese Balance zwischen Spontanität und kontrolliertem Prozess, sehe ich als Schwerpunkt meiner Arbeit, eine Interpretation archaischer Keramik in einem zeitgenössischen Kontext, moderne Totemgefäße. Die handgeschliffene Oberfläche sowie die organischen Formen meiner Objekte sind für mich die Grundlage einer lebendigen Haptik. In meiner aktuellen #bluepatchworkcollection setze ich mich mit dem Thema "cut & paste" auseinander, dem erneuten Zusammenfügen eines aufgeschnittenen Stückes, einem neuen Dialog der Linien."