| Category | Mischtechnik |
|---|---|
| artist | Knoebel, Imi |
| year | 2011/14 |
| Title | Anima Mundi 91-3 II Ed. |
| size 1 |
Sheet
37,0 x 29,0 cm
Each: 47,0 x 39,0 cm |
| material | Acrylic paint collage on plastic film |
| edition | Unique character (Series of 3 unique pieces, here Nr. 3) |
| signature | One sheet signed and dated on the reverse Gallery label, titled and numbered on verso of reverse: Anima Mundi 91-3 II Ed. 3/3 |
| publication | - |
| Provenance | Gallery Fahnemann, Berlin Private Collection Germany |
| rise in value | Works by Imi Knoebel are known for rising in value. According to artprice, the value of one piece by Imi Knoebel has risen 29.2% in 2025. |
Imi Knoebel Anima Mundi 91-3 II Ed. (2011/14)
- 3-piece set in excellent condition
- Constructivist-inspired painting on plastic film
- Beuys student and renowned artist of "Minimal Art"
- Ready to hang!
€35,000.00*
- The artwork is available immediately and can be viewed at any time in our gallery.
- Ready for shipment within 2 days.
- Free shipping within Germany.
Informations
condition
|
The Mixed media is in a very good condition |
artist
|
Imi Knoebel, born Klaus Wolf Knoebel in 1940, is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The 'Messerschnitt' or 'knife cuts,' are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf. Source: This text based upon the article Imi Knoebel from encyclopedia Wikipedia which is available under GNU Licence of free documentation. The list of contributers you can find at wikipedia.org |
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Features and remarks
Here you are purchasing the 3-part work ‘Anima Mundi 91-3 II Ed’, an acrylic painting on collaged plastic foil by Imi Knoebel.
The painting was created in 2011/14 as part of a strictly limited edition of three copies – each copy is individually designed, giving the work a unique character. The edition label on the back of the frame also indicates the sequence of the sheets from ‘A’ to ‘C’.
In ‘Anima Mundi’, Imi Knoebel creates a cosmic harmony of colour and space.
The central rectangle – like a ‘core of the world soul’ – is framed by fine, vibrant stripes of colour that appear like lines of energy or cosmic ‘veins’. Inspired by the Neoplatonic idea of anima mundi (animated world), Knoebel evokes a living architecture: colours ‘breathe,’ layer themselves like shells of a cosmic egg, and interact in dissonant or harmonious constellations. Each composition is a colour cosmos – sometimes cool and intellectual, sometimes warm and vibrant – that dissolves the boundary between painting and sculpture.If one wishes, one can interpret much of the work of the Düsseldorf artist Knoebel as an homage to the founder of Minimalism, Kasimir Severinovich Malevich. When the Beuys student discovered the radical nature of non-representational art for himself, his mission was to bring this experience to the world.
„When I am asked what I think about when I look at a painting, I can only answer that I don't think at all; I look at it and can only absorb its beauty, and I don't want to see it in relation to anything else. Only what I see, simply because it has its own validity.“
Imi Knoebel (zitiert nach: Johannes Stüttgen im Gespräch mit Imi Knoebel, 2015)